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10.4.6/ July 9, 2019; 39 days ago ( 2019-07-09)Written in,(as of Logic Pro 9.1)1.45 GBAvailable in,andWebsiteLogic Pro is a (DAW) and software application for the platform. It was originally created in the early 1990s as Notator Logic, or Logic, by German software developer C-Lab, later. It became an product, eventually known as Logic Pro, after Apple bought in 2002. It is the 2nd most popular DAW - after only Ableton Live - according to a survey conducted in 2015.A consumer-level version based on the same interface and audio engine but with reduced features, called, was also available at a reduced cost. Apple's, another application using Logic’s audio engine, is bundled in, a suite of software which comes included on any new computer. On December 8, 2011, the boxed version of Logic Pro was discontinued, along with Logic Express, and Logic Pro is now only available through the.
Contents.Features Logic Pro provides software instruments, audio effects and recording facilities for music synthesis. It also supports Apple Loops – professionally recorded instrument loops. Logic Pro and Express share many functions and the same interface. Is limited to two-channel stereo mixdown, while Logic Pro can handle multichannel. Both can handle up to 255 audio tracks, depending on system performance ( and and ). Logic Pro can work with keyboards and control surfaces for input and processing, and for MIDI output.
It features real-time scoring in musical notation, supporting, abbreviations and drum notation. Advanced MIDI editing is possible though, where velocity, pitch, pitch-bends, humanize and precise note positioning are effected.Software instruments The software instruments included in Logic Pro X include: Drum Kit Designer, Drum Machine Designer, ES, ES2, EFM1, ES E, ES M, ES P, EVOC 20 PolySynth, EXS24 mkII, Klopfgeist, Retro Synth, Sculpture, Ultrabeat, Vintage B3, Vintage Clav, Vintage Electric Piano. These instruments produce sound in various ways, through subtractive synthesis (ES, ES2, ES E, ES M, ES P, Retro Synth), frequency modulation synthesis (EFM1), wavetable synthesis (ES2, Retro Synth), vocoding (EVOC 20 PolySynth), sampling (EXS24 mikII, Drum Kit Designer), and component modeling techniques (Ultrabeat, Vintage B3, Vintage Clav, and Vintage Electric Piano, Sculpture).
As of version 10.2, Logic Pro X also includes Alchemy, a sample-manipulation synthesizer that was previously developed by Camel Audio. The software instruments are activated by MIDI information that can be input via a MIDI instrument or drawn into the MIDI editor.
The Space Designer plugin attempts to emulate the characteristic echo and of a physical environment, using a method called. Audio effects Audio effects include amp and guitar pedal emulators, delay effects, distortion effects, processors, filters, filter effects, imaging processors, metering tools, modulation effects, pitch effects, and reverb effects. Among Logic's reverb plugins is Space Designer, which uses to simulate the acoustics of audio played in different environments, such as rooms of varying size, or emulate the that might be heard on high mountains.Distributed processing The application features abilities (in 32-bit mode), which can function across an.
One machine runs the Logic Pro app, while the other machines on the network run the Logic node app. Logic will then offload the effects and synth processing to the other machines on the network. If the network is fast enough (i.e. ) this can work in near real-time, depending on buffer settings and CPU loads. This allows users to combine the power of several Macintosh computers to process Logic Pro’s built-in software instruments and plug-ins, and 3rd party processing plug-ins.
As of version 10.0.7, Logic can access 24 processing threads, which is inline with Apple's flagship 12-core Mac Pro.History Creator and Notator In the mid-to-late 1980s, Gerhard Lengeling and Chris Adam developed a program for the platform called Creator. When musical notation capabilities were added, this became Notator, and later Notator SL. For simplicity these three are collectively referred to as Notator.Its main rivals at the time included, & Steinberg 16. Most sequencers presented a song as a linear set of tracks; however, Notator and Vision were pattern-based sequencers: songs were built by recording patterns (which might represent for example Intro, Verse, Chorus, Middle-8, Outro) with up to 16 tracks each, then assembling an Arrangement of these patterns, with up to 4 patterns playing simultaneously at any one time in the song. This more closely resembled working principles of hardware sequencers of the 1970s and 1980s.In its time, Notator was widely regarded (by musicians and the musical press of the time e.g. International Musician) as one of the most powerful and intuitive sequencing and notation programs available on any platform, but afterward the popularity of Steinberg's increased and track-based sequencing prevailed over pattern-based, resulting in the eventual greater integration and hybridization of the two methods in later versions of both Cubase and Logic.
Logic The C-Lab programmers left that company to form, and in 1993 released a new program, Notator Logic, which attempted to fuse both track- and pattern-based operation (but looked much more like track-based sequencers than Notator). While rich in features, early versions of Logic on the Atari lacked the intuitiveness and immediacy of either Cubase or Notator, and never achieved the same success. However, by this time the Atari was becoming obsolete, and part of the reason why Notator Logic had been written from scratch with an object oriented GUI (though it shared the same nomenclature as its predecessor) was to make it easier to port to other platforms. The Notator prefix was dropped from the product name and the software became known as simply Logic.As later versions of the software became available for and platforms, and acquired ever more sophisticated functions (especially in audio processing) to take advantage of increased computing power, Logic, together with the rise of the PC, gained popularity again.acquired Emagic in July 2002.
The announcement included the news that development of the Windows version would no longer continue. This announcement caused controversy in the recording industry with an estimated 70,000 users having invested in the Windows route not wishing to reinvest in a complete new system. Despite much speculation in various Pro Audio forums however, exactly how many users may have abandoned Logic upon its acquisition by Apple, or abandoned the Windows platform for the Mac version, remains unknown, but Apple Pro Apps revenue has steadily increased since Apple's acquisition of Emagic, (roughly $2 billion a year as of Q1 2014).Versions Early versions Logic 5 featured significant improvements in user interface, and increased compatibility with more types of computers, operating systems, and a wide range of audio interfaces. Logic 5.5.1 was the last version to be released for Windows. From Logic 6 onwards, the software would only be available on Mac OS.With Logic 6, Emagic added the availability of separately packaged software products that were closely integrated add-ons developed specifically for use with Logic, including software instruments, the EXS sampler and audio processing plug-ins. The Logic 6 package also included the stand-alone program, for burning audio CD standard-compliant CDR masters for replication, however, that application was considered a free bonus feature; it was not advertised as part of the package and did not include printed documentation.
PDF documentation was included on the installer disc.In March 2004 Apple released Logic Pro 6, which consolidated over 20 different Emagic products, including all instrument and effect plug-ins, Waveburner Pro (CD Authoring application), and Pro Tools TDM support, into a single product package. Apple also released a scaled down version of Logic called Logic Express, replacing two previous versions that filled that position called Logic Silver and Logic Gold. Apple began promoting Logic Pro as one of its flagship software ‘Pro’ applications for the Macintosh platform.Logic Pro 7 Logic Pro 7 was released September 29, 2004.
Most notably, Apple modified the interface of Logic 7 to look more like a product that was developed by Apple.Additions to Logic Pro 7 included: the integration of Apple Loops, Distributed Audio Processing (a technology for combining the power of multiple computers on a network), 3 new instruments including Sculpture (a sound modeling synth) and Ultrabeat (a drum synth and sequencer), and 9 new effect plug-ins including Guitar Amp Pro (guitar amp simulator), and a linear phase corrected version of their 6 channel parametric equalizer. In total, Logic Pro 7 now included 70 effect plug-ins and 34 instrument plug-ins.Pro-Tools TDM compatibility, which had been a feature of Logic since version 3.5, was not supported by Logic 7.2 on Intel-based Mac computers; TDM support returned with the release of Logic 8.Logic Pro 8 On September 12, 2007, Apple released the suite that included Logic Pro 8. Logic Pro was no longer a separate product, although a limited version 8 was released on the same day, and remained a separate product.Significant changes were made for Logic 8. Logic Pro 8 was now mainly Cocoa code, but still included some Carbon Libraries.
Alongside changes such as the new processing plug-in (Delay Designer), Apple included features such as Quick Swipe Comping, similar to, and multi-take management.Apple also made changes to ease of use. These include the discontinuation of the XSKey, and a streamlined interface. Each plug-in used in the channel strip opens in a new window when double-clicked.
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Many of the features found in Logic 7 have been consolidated into one screen. Other additions to the new interface included consolidated arrange windows, dual channel strips, built in browsers (like that in ) and production templates.Logic Pro 9 On July 23, 2009, Logic Pro 9 was announced.
A major new feature included 'Flex Time', Apple's take on 'elastic' audio, which allows audio to be quantized. A version of the from was included, together with a new virtual where the modeled components could be combined in different ways. There were also a number of improvements to audio editing, fulfilled user requests such as 'bounce in place' and selective track and channel strip import, as well as an expanded content library including one more.
Some of the bundled software, including MainStage 2 and Soundtrack Pro 3, was also improved. Logic Pro 9 is Universal Binary, although not officially supported for use on PowerPC computers. SoundDiver, which had been quietly bundled with previous versions, was dropped, eliminating support for arguably the world's most popular synthesizer editor/librarian. As Apple has bundled so many software instruments with Logic, it is not likely that we'll see the return of integration with external synthesizer hardware to the Logic platform. On January 12, 2010, Apple released Logic Pro 9.1, an Intel only release, thereby officially discontinuing Logic for the PowerPC platform. Logic Pro 9.1 has the option of running in 64-bit mode, which allows the application to address more memory than in the past.
Says Apple 'With 64-bit mode, the application memory is not limited to 4GB as with 32-bit applications, so there is essentially no practical limit by today's standards.' Third party plug-ins that are 32-bit are still compatible, but will run from a 'wrapper' inside Logic Pro itself.On December 9, 2011, Apple announced that Logic Pro Studio 9 would no longer be available on DVD, and would only be sold via the. The price was reduced from $499 to $199.99 for the Logic Pro app, and $29.99 for MainStage. The download was just over 400MB, and 19GB of optional loops were available as in-app downloads.This version of Logic Pro Studio 9 no longer allows users to access any microtunings in format other than those provided with the software by Apple.Logic Pro X Released as successor to Logic Pro 9 on July 16, 2013, Logic Pro X (10.0.0) included a new, single-window customizable interface, with a design in line with, as well as new features. New tools in this release are Drummer, a virtual session player that automatically plays along with your song in a wide variety of drumming styles and techniques, and Flex Pitch, a Flex Time equivalent for pitch editing in audio recordings. Also, a new 'Smart Controls' feature allows users to map parameters from an array of plugins to a single, convenient control interface. Redesigned keyboards and synths were included, together with new stomp boxes, bass amp and drum kit designers, and a chord arpeggiator.
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A completely rebuilt sound and loop library was introduced, along with a new Patch architecture. Logic Pro X has also improved track organization by allowing users to group multiple tracks into 'folder' like categories (e.g., acoustics, synthesizers, vocals, percussion, etc.). In addition to this organization, Logic Pro X allows individuals to trigger 'solo,' 'mute,' and 'volume' controls for each group. Further improvements were made to score editing, exporting (now compatible with format), and introduces MIDI plug-in compatibility. Coinciding with the release of Logic Pro X was the release of a companion iPad app called Logic Remote, which allows wireless control of Logic Pro X, including Touch Instruments for playing and recording software instruments as well as tools for navigating, making basic edits and mixing.Since this release, Logic Pro X runs in 64-bit mode only and no longer works with 32-bit plug-ins. Logic Pro X is capable of transferring most data from previous projects saved in Logic Pro 5 and later, though the transfer to 64-bit only means older 32-bit plugins will no longer work.The current version is Logic 10.4.6, where 10.4 introduced a new reverb called Chromaverb, and new functionality like Smart Tempo, as well as the option to undo mixer actions. In addition, version 10.4 introduced support for version 2 of the standard.
See also.References. January 10, 2019. Retrieved January 21, 2015. Retrieved March 9, 2017. Ialuna, John. Hit Trax MIDI Files. Retrieved August 9, 2018.
Retrieved September 1, 2015. Vaughn, Mac. Archived from on December 2, 2014. Retrieved December 2, 2014. Emagic, a software company based in Germany, was known for its early music sequencer called “Creator”.
Creator was followed by Notator, which ran on the Atari ST platform. Notator Logic was launched in 1992 for both Atari, Macintosh and Windows.
Emagic quickly dropped the “Notator” from the name and was redesigned with a new look and called Emagic Logic. In 2002, Apple bought the software and discontinued all Windows based support for the program. Today, Logic still only exists on the Apple platform and is widely regarded as one of the most popular DAWS available. Houghton, Matt. Retrieved December 2, 2014. Like Notator, Vision, and several other of the early MIDI sequencers, it was pattern-based.
There was no timeline, no timeline-based looping of selections, and no arrange page. This method was more like a relational database than a modern computer sequencer. Users programmed various parts, comprising rhythms, chords and melodies, then programmed the order and number of repetitions of each of these parts to form songs.
Retrieved April 6, 2015. Retrieved February 13, 2007. The Register. Retrieved July 1, 2002.
Retrieved July 28, 2014. According to Digidesign’s, Logic Pro will require a future update from Apple to support Pro Tools HD DAE for Intel-based Macs.' July 24, 2009.
Archived from on October 1, 2009. Retrieved June 24, 2010. Retrieved December 9, 2011. ^. Retrieved November 10, 2015.
July 26, 2013. Libertini, Carlo (February 4, 2018). Produce Like A Pro. Retrieved July 9, 2019.External links.
The gods hate me.I reached over to take a phone call, and my Ti G4 hit the floor. No apparent problems with the laptop, thank goodness, but the XSKey copy protection dongle for Logic 5 came out a little bent. The metal connector didn't completely separate from the plastic case, but it's lose.AND.it doesn't work.
My studio is now dark because this little piece of plastic couldn't support an eighteen inch fall onto soft carpet. I'm going to have to run out tomorrow and buy another copy of Logic 5.Thanks, Emagic! Good thinking! I hope this key is not an example of 'German engineering.' This would not have been a problem with the old dongle, because it was attached with a flexible cable. Boy, I'm hoppin' mad!A word of caution. If you use the new Emagic dongle with a laptop, disaster is just a bump away.
Dan, boy you have my empathy!!!What a drag it is that you can't use your brand new Logic 5! You probably already sent your old dongle in, so you can't even use your old version either I'll bet. As you may recall, I was the victim of a bad dongle last year, while working under deadline conditions no less!!!However, don't buy the program all over again without either first (particularly steadyb's last post) or first calling Emagic. I'll bet they can make you a better deal.I also would be grateful if you could post this experience in my thread. I created this topic to gather a collection of stories about 'copy protection' gone awry. As you well know, there are a number of representatives from equipment and software manufactures who read what we say. Most of them seem to care what the user experience is like for their products.
This information may help them build a better product.Jeff, TASCAM Guy is one of those who contributed to that thread stating, 'Folks, this thread is important to us software manufacturers, and we want to know about your perspectives and experiences - good and bad - with copy protection. Right now, we're dealing with worldwide piracy of GigaStudio and sound libraries, and every software company is in the same boat. At the same time, we'd like to make our protection efforts as painless as possible for you, the legitimate customers.If you really want to change things for the better, please keep contributing to this thread.
I promise to keep listening to you.' I found that to be very encouraging! I'm sure you'll agree that American customer support at Emagic is generally very good.
Perhaps if enough of us are vocal about the pitfalls of their methods of 'copy protection,' they will find a better way of coping with this issue. Reaktor uses this same type of copy protection and it scares me. The way it sticks out in front of my computer, a little metal and plastic device about 1 1/2 inches long, is an accident waiting to happen.Dan can get a replacement from eMagic, but that takes time.
I am guessing the reason he has to run out and buy another copy is downtime. It is pretty bad if one little device closes down your entire production. At least he can use the dongle until a replacement arrives, then sell his new copy rather than register it.RobertRe: steadyb - broken Logic XSKey!!! 03/28/02 06:25 PM. I friend of mine has a recording setup. He is pretty serious about his stuff.
He is a full time musician, arranger, producer & does a dozen or so CD's plus other mixing/mastering jobs a year. He rescently upgraded his computer. Of course his new Mac doesn't have a ABD port, just USB. The dongle for his registered Waves 2.6 fit into his ABD port. So after getting his new machine going he called Waves to see what they do in this situation. They said you could buy a ABD to USB adapter for $200 CAN (also would have to be ordered in) or upgrade to Waves3.2 for $400 CAN (also to be shipped in).
With a mastering job less than 2 days away, what should he do? A)Delay & jerk around his client, like what Waves is doing to him, b)Do the job on his old Beige 300mhz G-3 instead of his new 800 mhz G-4 c)Get a cracked version from another friend, do the job, get paid, get the client's already late CD off to the manufacturer. Here is a loyal customer who spent $1200Can for Waves getting screwed around. You can't tell me there is not some sort of code that could be emailed to him by Waves to get rid of the dongle. I agree some sort of Copyright protection is required but their dongle & their gouging ways just cost them a customer.
He vowed never to buy their product again. I can't believe some of the stories I've read in in Soapbox's above mentioned thread about dongles broken & dongles deciding not to work, etc. I been doing graphics for 12 years on computers & have my slew of stories of software companies & their false promises. You buy a piece of software for the features & they don't work. You call support thinking its something you're doing wrong & you get 'Oh, that doesn't work. It will be available in the next upgrade.' Will I get that upgrade free?
These dongles & challenge/response have got to go. Serious people in their respective industries pay for their software.
They don't want their clients to find out they are using cracked illegal softwares. A local ad agency has just been fined $150,000 CAN for having the same serial number on multiple machines. Most people who use cracked/illegal software are not serious. Heck most of them never use the software because of the learning curve, no support, & no manuals. They have it just to have it.
Why torture your good customers for the sake of people who are not even customers. I think dongles & challenge response copyright protection is actually making up for a poor product. Not many people are buying their crap so they are make sure they get every penny they are intitled to. DP just a serial number, heck ProTools is given away free. A lot of software companies feel that illegal copies are a good promotion for buying legit copies.
After trying an illegal copy, they buy it for the manuals. In order to run these softwares you need manuals. I couldn't do my graphics job without having manuals for my softwares. Running these computers is trying enough without any added bullsh.t. Dan, & anybody else who has a similar story, who can't get some sort of satisfaction from these offending software companies, should never buy their products again. A statement has to be made. Unfortunately all we can do is not buy their product.
Originally posted by Postman:Actually, although I consider poor customer service, they have the right to ask for the old dongle before they send the new one, too.They will probably ask for a CC# and charge for the dongle if they do not receive the damaged one in a specified amount of time. They will charge for shipping, expect that.One thing to keep in mind, they might not have seperate keys yet. Last time I spoke with emagic, all of the keys were attached to program packages. The reson being that they want to make L5 as available to the public as possible. Witholding some keys would cut down the number of program packages that would be available.Re: steadyb - broken Logic XSKey!!!
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03/28/02 09:53 PM. UPDATE: The gods hate me even more than I thought.MAXIMUM SUCKAGE!!!!!!!!!!Okay, my first call this morning was to my dealer. I figured the best course of action would be to have a new full version of Logic 5 overnighted to me. Then Emagic could take their time replacing the original key, and I'd eventually have a spare in case disaster struck again in the future.
The dealer apologized, explaining that Emagic has not yet SENT them any full versions. No dealers in North America have them yet.I realize that I'm at the mercy of Emagic, and I hope that they can act quickly.I called tech support. After numerous busy signals and then a ten minute wait on hold, I spoke with a tech who seemed genuinely surprised that the dongle could have broken. He was under the impression, as I was, that it was 'virtually indestructible' (like the old Timex watches). But he explained that this wasn't a problem that tech support could help me with and suggested that I call Sales.So, I called Sales and waited for another ten minutes. I reach a guy named Dave and explained the problem.
Dave was also mildly incredulous, but at least he had a suggestion. Dave's idea was to sell me another copy of the upgrade and then credit me the amount of the sale upon receipt of the broken dongle. He offered to discuss the matter with his boss to see if they could do any better and then promised to call me 'right back.' Four hours later, no word from Speedy Dave.
I call Emagic sales again. Another ten minutes passes, but lo and behold, Dave answers the phone.Me: 'Hi, Dave. This is Dan South calling again.' Dave: 'Who??' Me: 'Uh, we spoke this morning with regard to a broken XSKey.' Dave: 'Oh, yeah!
Sorry I didn't call you back.' I let the oversight slide because I figured that Dave would have good news for me. Now the offer was to sell me a second upgrade pack at half price, but there would be NO REFUND. Not exactly what I wanted to hear, but hey, I could go on and on about poorly designed products and annoying copy protection schemes that hurt legitimate users, but that wouldn't change anything. I just want a new key so I can get on with my work.Then Dave drops the bomb.
Emagic USA doesn't HAVE any more keys for Mac - they have some for the PC version only - and they won't be getting any more in until next week sometime. Dave offers to put the order in and mark it a 'RUSH'.I'm stunned. 'You mean to tell me that I'm not going to be able to run Logic for over a WEEK? You guys have to help me OUT, here!
The dongle wasn't MY idea. I'm a legitimate customer, and you're telling me that I can't use the product that I've paid for.' I wish I could help you out. Do you still want me to put the order in?' -Open letter to Emagic:Your products are great. Your support sucks.
Fix the goddamned problem! You should at the very least have some sort of 72-hour 'grace key' system that would enable a user to run the program without the dongle. Do you expect your customers to buy multiple copies of your software to ensure that they don't experience an outage? You MUST provide an emergency backup measure if you want your product to be taken seriously by professionals.Open letter to Logic Users:Be prepared to buy two copies of Logic 5 if you absolutely, positively MUST have it available at all times. Consider this fair warning.
Emagic is NOT going to bail you out. Dan, what a nightmare! I hear you!Emagic was out of dongles when mine went down too; and it wasn't even during a busy new release period, like they're having now. Once they shipped me my replacement dongle, I bought a backup dongle as well.Dongles, and now the XSKey, are Emagic's insurance policy against theft. But then why is it that the legitimate customer has to pay the premium for their insurance policy?
I want to know where I can find someone else who will pay for my insurance premiums! It sounds like a great deal to me!
Maybe I can force my clients to pay my health insurance premiums.:rolleyes:Once again, I invite you to post this experience in my thread. Alone, your complaint is an isolated incident that can be easily dismissed by a skeptic. Together with other complaints, a trend becomes apparent. I don't know if Emagic America holds much influence with Emagic headquarters in Germany; but if they do, they might at least get a better Plan B in place. A better supply of XSKeys and dongles, along with a software granted grace period of a week without an XSKey or dongle would be a good starting place.
I think emagic should cover any costs involving their dongle. If a CC ios needed as colateral during a replacement, that's fair. But it's their protection scheme and their responsibilty. I think they have gotten in a little over their head with this 5.0 update (not the software itself, but the handling of the product). Hopefully yhey will have learned a lot from this experince and get it right for version 6. I can relate to their situation though as I once worked for a company that went through the same problem, but luckily the next time around had every issue nailed down.Re: steadyb - broken Logic XSKey!!!
03/29/02 10:04 PM. Robert - I may pick SONAR as a backup at some point.Soap - Once the ordeal has ended, I'll post a synopsis to your thread. Thanks!Jonny - I agree wholeheartedly. Granted, it was my own negligence that caused the laptop to fall, and I accept that responsibility. If I has broken a key or a knob from an instrument, then yeah, I should pay for it, because that key or knob is a feature that I use. The dongle is nothing to me except excess baggage. Soapbox is right - it benefits Emagic, not the user.
Given that I return the broken one, they should replace it at cost (at most). And they should have a stock of them to OVERNIGHT to customers as needed. If I relied on Logic for a nightly gig or a high profile session, MY reputation would be totally screwed at this point. Dan, not to be rude, but this is where the crack versions of stuff will help you.You are a legitimate legal owner.It won't help ya now, but very soon the crack heads'll have a copy of 5 going without the key.Grab a copy, leave your key in the closet.I'm a legit owner of LAPW, and am awaiting the 5.0 upgrade, but I'll also keep an eye out for the crack version too, cause you never know.Either that, or do like me, I have a 4.81 bad copy sittin on disk that doesn't need a key.Not to be rude to the company, but this is one area where cracks shine.
They work, and work well without the company's bland, stupid and useless attempt at a protection scheme.Again copy protection does absolutely 0 for the buyer. It's all for the copmapny.Bri. I appreciate the spirit of the posts about cracks, but I will NEVER user pirated software. Well, maybe to stop an alien invasion or a nuclear war, but that's about it.
I'll find another way.This situation has been a big pain in my ass, and I think that Emagic has dropped the ball - although they DO seem to be scrambling toward some sort of resolution for me - but I will NOT use that inconvenience to give criminals an excuse to take credit for their actions.If my Triton breaks, I might ask Korg or a Korg dealer for a loaner, or I might rent another Triton until mine comes back from the shop. But I'm NOT going to seek out shady characters to see if anyone has stolen a Triton recently.Thanks again, guys, for trying to help. Again, I appreciate the spirit of your posts. I just can't go down that road.Unless someone's seen a UFO. Dan, I really feel sorry for you, my man! I know you've been longing for this for a long time. I hope Emagic can solve your problem soon!I also kind of feel sorry for steadyb.
He started out as a normal member of our community, well as normal as any of us get anyway!I'm not sure exactly why, but I believe that Dave outed steadyb as an employee of Emagic. It may be that he had posted how much he liked Logic without letting on about his affiliation. Again, I'm not sure. Regardless of why, the result was that steadyb was no longer an ordinary member of our community.Anyway steadyb, if you're still reading these threads, I miss having you around.
My criticisms of Emagic's 'copy protection' methods are not levied at you. I know you don't set policy there. I miss your rabid Laker boosterism, well sort of, and your sense of humor!If you're tired of being steadyb, Logic Guy, just come back and be steadyb.My two bits (inflation),Geoff. Originally posted by soapbox:I'm not sure exactly why, but I believe that Dave outed steadyb as an employee of Emagic. It may be that he had posted how much he liked Logic without letting on about his affiliation.
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Again, I'm not sure. Regardless of why, the result was that steadyb was no longer an ordinary member of our community.Steadyb has never done anything to push Logic on this forum - his behavior has been beyond reproach. As a matter of fact, IIRC I 'outed' him as an example of exemplary behavior by a manufacturer's employee.He actually seems to avoid most tech stuff - he just likes to hang, and I think he still does pretty much as much as he always has. My feeling is that he just got a lot busier and travels more since he started working for Emagic.Frankly, I think that he does a great job of not wearing the Emagic cap at all while he's here - he's made it gently clear that he doesn't want to do Emagic support here, and most folks seem to leave him alone.at least, that's my impression.Nonetheless, you've made me feel appropriately bad, Geoff.thanks.dB.
And speaking of steadyb, Emagic Guy, I own him and his colleagues at Emagic USA debt of gratitude. I received my replacement XSKey this morning.HOORAY!!!!!!!!!!I'm amazed, because my information was that the keys weren't even going to be into Emagic USA until the end of the week. I thought I'd see it on Monday at the earliest.Thanks for pulling strings, folks. I know this was not easy for you.Wow! I can't wait to fire up that Logic Control!!!!Thanks again to steadyb, Christina, Dave, and everyone at Emagic USA.
Thanks also to TinderArts for mentioning my situation to the Emagic powers that be. Hey Dan,Just make sure your Ti-book, XSKey (and all other Emagic gear) is on a secure flat surface, away from the edge.Enjoy, be careful, and NEVER let Jeff's cat into your studio. (I'm pretty sure vomit isn't an acceptable reason for a replacement key)steadybp.s.rumor has it you really had your laptop knocked off a barstool while receiving a lapdance from a 'singer' who you were offering to 'produce' using your just received Logic 5.Re: steadyb - broken Logic XSKey!!! 04/04/02 10:09 PM. Originally posted by soapbox:There are a number of people here who practice that solution.
However, if Emagic is right in their claims of how well their new dongle replacement device will work, the option of buying the program, but using the cracks will be gone, at least for Emagic programs.Harmony Central has. Near the bottom of that list is a paragraph describing the new 'copy protection' scheme. Emagic is calling it the 'XSKey,' short for 'Expandable System Key.' It will replace all previous Emagic copy protections such as dongles and CDs. It will be like an iLok, in that authorizations for all of Emagic's programs will reside in this one tiny device.Sorry I'm about to break my rule about making this thread be about actual experiences; but in this case, none are yet possible. However, I think it's pretty clear what can happen.If this works, and programs truly become copy protected, I want to see that consumer needs will finally become addressed.
I mention that because, just as the companies need to be protected from piracy, we need to be assured that a product we've paid our hard-earned money for will be usable. How will we be protected if the copy protection device fails and suddenly locks us out of our software in the middle of a gig? How will we be protected if we lose all of our authorizations at once?Will we need to buy every program twice, just so we can have a back up of an XSKey? If so, how many companies will go out of business, not because of cracks but because consumers suddenly can only buy half as many programs as they used to? Piracy will still exist, but in this case, it will be committed against consumers who want a backup!The counter argument to my point above is that hardware forms of gear are vulnerable to failure as well and that this could happen in the middle of a gig too. The difference in this case is that if one piece of gear fails in the hardware world, the failure is limited to that piece of gear. In the case of the failure of an XSKey, all Emagic 'gear' will no longer work!When a single effects processor dies or a single keyboard dies, workarounds are possible; but when an XSKey dies, it becomes the equivalent for many of losing all of their effects processors, all of their keyboards, and their multitrack recorder as well.
What workarounds are possible then?In this case, when all of one's eggs are placed in one basket, a device needs to be more failproof, not less; but copy protection, from the consumer's vantage point, is just an additional way that things can go wrong.I hope I haven't worn out my welcome on this topic, but I think that software companies and their customers should naturally be allies, not adversaries. What can be done to fix this?
Last night, I installed the new update pack that Emagic sent me (to replace the broken key). Everything seems to work, but the interesting thing is that the software disk is different - Release 5.0.1 instead of 5.0. The main difference is that the ES2 and EVOC soft instruments are available on this one (a glaring omission in 5.0). Hopefully this release will be available as an update soon.I have not yet installed the 5.1 version that came with the Logic Control. Hopefully, that one will include these soft instruments, also. I'm anxious to get up on 5.1, because it features multiple undo/redo.Soapbox - I appreciate your suggestion about using multiple programs, but personally I'd rather get the most out of one program if I can. My sequencer is my right hand man in the studio.
One of the reasons why I love Logic so much is that I know many of its features so intimately that I don't have to think about how to do things. I'm not smart enough to master more than one sequencer at a time, so I think I'll stick with Logic, even if that means buying extra keys (no more expensive than investing in other sequencers). Besides, I've tried DP and Cubase, and Logic is the one that I prefer head an shoulders above the rest.A PERSONAL OPINION (take it for what it's worth): If you use cracked software, you are supporting criminal activity.
If you support criminal activity, you, too are a criminal. And an asshole.Just my two cents. QUOTEOriginally posted by Dan South:I have not yet installed the 5.1 version that came with the Logic Control. Dan, it's true that there are valid reasons for knowing one program very well as opposed to knowing several programs adequately; and yes, you're right that buying extra keys for Logic should be no more expensive than buying the competitive upgrades that other programs offer. I respect your decision.Like you, I am also uncomfortable with the idea of getting the crack as a backup even though I've paid for the program.
Intellectually, I can't say that there is anything wrong with receiving a free crack of a program you've paid for the right to use; but it doesn't sit well in my gut and I won't do it.That's one of the main reasons why it's so important to me to fix this problem. Software manufacturers are being victimized by thieves, and legitimate users are in turn being victimized by the software companies they do business with.One of the fundamental tenants of our free society is the principal that a person is innocent until proven guilty. Yet, the decision to employ 'copy protection' methods by software manufacturers presupposes that anyone who purchases software does so with criminal intent.It takes integrity to pay for software when one can easily get it for free.
Why would someone with that kind of integrity need to have 'copy protected' software? Who is being protected by taking preventative measures against an innocent person? Why manufacturers don't see that is beyond my comprehension.The day that software can't be hacked and easily distributed is the day that copy protected software will be necessary, because that is the day thieves will be forced to buy software if they want to use it. Until that day comes, 'copy protected' software has the effect of software manufacturers taking out their frustrations on the wrong group of people. Originally posted by soapbox:Dan, it's true that there are valid reasons for knowing one program very well as opposed to knowing several programs adequately; and yes, you're right that buying extra keys for Logic should be no more expensive than buying the competitive upgrades that other programs offer. I respect your decision.Like you, I am also uncomfortable with the idea of getting the crack as a backup even though I've paid for the program. Intellectually, I can't say that there is anything wrong with receiving a free crack of a program you've paid for the right to use; but it doesn't sit well in my gut and I won't do it.That's one of the main reasons why it's so important to me to fix this problem.
Software manufacturers are being victimized by thieves, and legitimate users are in turn being victimized by the software companies they do business with.One of the fundamental tenants of our free society is the principal that a person is innocent until proven guilty. Yet, the decision to employ 'copy protection' methods by software manufacturers presupposes that anyone who purchases software does so with criminal intent.It takes integrity to pay for software when one can easily get it for free. Why would someone with that kind of integrity need to have 'copy protected' software? Who is being protected by taking preventative measures against an innocent person? Why manufacturers don't see that is beyond my comprehension.The day that software can't be hacked and easily distributed is the day that copy protected software will be necessary, because that is the day thieves will be forced to buy software if they want to use it. Until that day comes, 'copy protected' software has the effect of software manufacturers taking out their frustrations on the wrong group of people.Actually, what has become common practice for serial number and regkey locked programs like FruityLoops is that the hackers will buy a license with a stolen credit card then circulate the registration info from that ill-gotten copy - this is even worse for the company, because the real credit card owner ends up saying 'I didn't buy this' and the CC company charges back on the software company, along with a stiff fee for a bad charge.
Originally posted by steadyb:QUOTEOriginally posted by Dan South:I have not yet installed the 5.1 version that came with the Logic Control. Originally posted by Magpel:Dan et. Al., I don't use cracks. I do, however, sympathize with the POV of legitimate users using cracks because flawed copy protection schemes compromise the functionality and reliability of the software.
See Rip Rowan's recent semi-editorial aboiut this at Prorec.com, semi-editorial in that it's a copy protection diatribe masked as a review of the new version of Waves plugins.John,I understand why legitimate users would go this route. On the other hand, my car came with a set of keys.
I didn't steal a second car to have onhand in case those keys stop working.I DO feel victimized by copy protection, though. Waves is a good example. What if the hard drive burns out?
What if you upgrade to a new OS like OS-X? The whole thing is messy and ugly and unfairly restrictive to the paying customer.Like so many things in life, the few ruin it for the many.
Off-Topic: Well, for the most part anyway.This post has little to do with 'copy protection,' but it has everything to do with Emagic. I've been taking the company to task a lot in this one area. For the sake of balance and perspective, I'd like to point out a few of the many things I like about Emagic and Logic Audio.I first purchased Logic Audio in 1994 after having bought the Session 8 Mac card. At the time, Emagic was the only company that sold a sequencing + audio package that supported my card. I believe that Emagic still remains the company that supports the widest variety of hardware, as well as platforms. For example, Logic Audio is the only DAW that supports simultaneous use of VST and TDM!Although it was tough for me back then to adjust to Logic Audio after having used Performer for several years, Emagic helped me get up to speed quickly by introducing a (new at the time) feature that enabled me to use the Performer key commands I was used to with Logic Audio.
Nowadays we take this sort of thing for granted. In 1994, this idea was unheard of and unusually innovative.My one frustration at the time was that I was given a 1.0 user's manual with a 2.0 addendum. Many of the features in version 1 had changed considerably in version 2 (Emagic is always at work to make Logic Audio a better product), and the changed features were in different chapters in the 2.0 manual than they were in the 1.0 manual. In addition, the manuals were written in English English, not in American English. This occasionally created obstacles for me, such as trying to figure out why a drop out was a desirable thing!Emagic was aware of the many user complaints about the owner's manuals at the time.
To their credit, they went to great lengths to remedy the situation. After I contacted Emagic about my problems one of their reps, Bob Hunt, came to Los Angeles. He called me, we set up a meeting time, and he came to the studio I worked at and gave me a tutorial! Bob was very helpful. He and I are still in touch.Bob was just one of several very cool Emagic people I've interacted with over the years. Dave Smith is another; and of course, there's our own steadyb. I met steadyb last year at Music Technology Day LA, and we spent a lot of time talking that day.
Since then I've seen him at NAMM and at Guitar Center. All I can say is that Emagic is lucky to have him. He's a nice guy who never takes things too seriously; he's intelligent and he knows a lot about Logic Audio!That's right, I was writing about Logic Audio! I don't want to get off-track on my off-topic post!Emagic had a number of features in early versions of Logic Audio that other companies have yet to implement to this day. For example, I miss the ability to 'toggle selection' when working in Digital Performer or ProTools. Playback quantize, transpose, etc. Were also features that I believe were only available in Logic Audio at that time.
I loved Logic's ability to custom color objects and I found that its scoring features rivalled many dedicated notation packages.I could go on and on, but suffice it to say that Logic Audio has always been an exceptionally innovative product. To end this post back on topic, I have to say that the main reason I am frustrated with Logic Audio's 'copy protection' is that I don't want to do without this wonderful product!
Unfortunately, failed 'copy protection' forces me to do just that. Yes, I could choose to stop using Logic Audio because of this issue, but that would be an even worse outcome. So, I'll continue in my campaign to make the Logic Audio user experience an even better one. In the meantime, I thought I'd make it clear how I feel about this fine product and give one reason why this issue is important to me.Best,Geoff.