02.02.2020

Massey Plugins Serial

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This is maybe my favorite plugin ever, and for several reasons. It’s like a history lesson on delay, is easy to use, and can additionally be used as a distortion/eq. Soundtoys nailed different delay sounds through the decades.

If I had to only use one plugin on an entire session, I’d use this one.Tip: The Binsonette style type for the warmest, smoothest delay you’ve ever heard.Face it, to a mix engineer. Roger Nichols (the engineer for Steely Dan) invented the Wendel drum computer in 1978, so this is a technique that’s been around for a long time. Email me and I’ll send you my 40-page thesis on the subject!There are plenty of great triggering software options out there, I’m just really used to this one.

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After analyzing a waveform, DRT creates near sample-accurate triggers, with velocity information included.With all the great drum VSTs out there like BFD3 and Abbey Road Drums, if you don’t use augmentation to a certain extent, you’re really limiting yourself, not like with an L2, but like, you know.Tip: Create a triggered track using a cowbell sample. Use this cowbell track for any sidechain compression. The fast transient will allow the compressor to react more quickly than with the original kick or snare sound.I love distortion. This thing has 5 different unique distortion types, tons of tone shaping options, and can work on basically anything. It’s also one of the first plugins to incorporate a dry/wet knob.

You can make toms bigger, warm up a vocal, or absolutely destroy a drum bus.Tip: For lead guitar or bass, try running 2 instances of Decapitator in serial, “punish” on both, and mess around with the settings until you have the most buzzy, brash, hilariously distorted sound ever.My favorite Mid-Side EQ, and usually the very first plugin on my mix bus. When you click on the frequency, it solos the band, allowing you to quickly sweep through and find unwanted, unmusical content.Tip: I generally stay away from excessive stereo width processing, but try automating the stereo width parameter on this during the choruses only for a larger than life effect.The most transparent plugin limiter I’ve ever used. It makes things louder without compromising the mix. Incredibly simple to use, just like all the Massey plugins.Tip: Although this was clearly designed for the master bus, try using it on kick, snare and bass to transparently tame volume.This emulation of the classic 10-band graphic equalizer is my go-to for boosting frequencies. It’s super easy to use, and works on virtually any source.

Not on many plugin equalizers is it possible to boost 8db at certain bands and have it still sound good, but it is here.Tip: Try boosting 3db or more at 16k on vocals and I swear you can start to hear the singers’ throat.Another Tip: Find a singer with a good throat.At least 3-8 instances of this thing are on every session I mix. It’s a multi-purpose compressor, and is great for everything including taming vocals, flattening bass, and even works when not doing much at all just for the tone. Tip: Use the Bluey setting, with a medium to fast attack, and fast release on stereo drum rooms to make light-hitting drummers sound like snare-destroying gorilla monsters. /These are technically 2 plugins, but I needed to combine these to fit all of the essentials on this list. For vintage sounding time-based effects, these are unbeatable.

Grainy, full of vibe, and versatile. With indie records sounding “older” every year, these are great to have.Tip: Subtly automate the “tension” parameter on Spring Reverb for a chorus-ey reverb effect.Although I hardly ever use this for boosting, it’s workflow for finding unwanted frequencies is unrivaled. Plus, if you’ve got Pro Tools, you’ve got this plugin.Tip: Shift + Control and click on any of the features to solo a band, this makes it very easy to find unmusical frequencies.I’ve only discovered this one about 4 months ago, but it has quickly become used on the master bus for almost every track I mix and master. It sounds very new and hyped, if that’s what the mix needs. The fact that you have a constant RMS readout is brilliant.

Check the volume of your mixes against reference tracks with ease.Tip: I use multiple limiters on certain mixes/masters. Instead of making 1 plugin do all the work, combine this with the L2007 for more transparent results.—If you mix with UAD plugins, you might also like my. Mastering in the Box CourseIf you’re interested in expanding your knowledge and learning effective techniques for getting great sounding masters 100% in the box, check out my debut course.

Yesterday I covered why you might want to use saturation plugins to add life, character and warmth to your mixes (see that post ).So you know you want to play with saturation, but don’t know where to start? Or you want to take your analogue experiments up a notch while still keeping everything In The Box?In either case, and whether your budget is $0.00 or $200, there’s something for everyone here. Take a look at this selection of the best saturation plugins around:1. FabFilter SaturnSaturn is a distortion and saturation plugin (with multiband capabilities if required) that can produce effects ranging from warm and subtle analogue saturation to full-on crunchy bit-crushed digital distortion. Really, this plugin is a potential one-stop shop for saturation as it’s so flexible – the modulation, panning and even compression options are excellent (as always), and the clickable spectrum analyzer field at the back is where you can visually set up the crossover points for your different frequency bands, that can then all be treated independently.

Between this feature and the simple mix knob, you have so many options for how, and to what degree, you process your sounds.Available for: Mac all formats; Windows VST, VST3 and RTAS. Soundtoys DecapitatorExcellent sound, great interface and simple controls. As with other Soundtoys plugins, its easy to set up several settings and demo them against each other with the “compare” knob. But beyond this, Decapitator also has a really cool “Style” feature: select one of the five lettered buttons (standing for the classic gear they model: Ampex analog tape machine, EMI channel, Neve channel, and the Triode and Pentode settings on the Thermionic Culture Vulture valve enhancer) and you have just enough options to quickly find the vibe you’re after. By the way, from the name you might suspect Decapitator to want to tear your head off with distortion the whole time: but fear not, it’s amazingly good at just sitting quietly too and adding that warm analogue vibe to any part or track.Available for: Mac and Windows all formats; Pro Tools TDM. PSP Vintage Warmer2I’ve already talked about how the Vintage Warmer is a true modern classic, in my list of.

With its large drive knob it’s simple to set up and just adds real sonic character to parts. When you buy VintageWarmer2, you actually get 3 versions: MicroWarmer, a single-band, streamlined version; for using on individual parts; Vintage Warmer (LE), based on the CPU-friendly original; and VintageWarmer2, which uses double sampling for extra analogue fatness.via.Also see:, which includes.4. Variety Of Sound FerricTDSPossibly the best free saturation plugin – most of the other contenders being other Variety Of Sound plugins! Very CPU-light too. Via.Also see: Variety Of Sound’s other free and colour-enhancing plugins,;;.5. D16 Group RedopterThe D16 team have been getting a lot of grassroots praise from EDM producers for their range of awesome effects plugins, not to mention probably the best 808 and 909 classic drum machine emulations yet created. Redopter is a Vintage Tube Distortion unit, and just brilliant.

Also check out (Bit Crusher) and (Multiband Distortion).Available for Mac and PC in all formats. Izotope AlloyFor those familiar with finalizer/mastering plugin or their distortion plugin, Alloy might be a good tool to try out, as the Exciter module is basically a multiband saturator.Available for Mac in AU/VST/RTAS formats; PC in VST/DX/RTAS. 112dB Redline PreampThey put it best themselves: “Redline Preamp livens up any “too clean” signal with a customizable combination of even and odd harmonics, saturation, and soft clipping.” Creating even or odd harmonics can give you tape or tube saturation effects respectively, so this plugin has the sound and power of what could have been quite a complex unit – but in a cool, fast and highly user-friendly interface. Did I mention the sound of this plugin!? It’s up there with the very best.Available for Mac and PC. Sknote RoundtoneA favourite with many, Roundtone is a tape emulator with a highly-regarded sound.

Bonus points for actually having a virtual tape machine interface as well:)Available for Mac and PC. ToneBoosters FeroxAnother very affordable saturation plugin (or “tape recording simulator”), that many pros swear. Definitely worth checking out.Available for Mac and PC.

More info.10. URS SaturationI love this one for it’s clear interface coupled with the huge flexibility and quality of its preset-style sounds. You can quickly dial up anything from a selection of tube mic preamps to analog tape, with inspiringly specific names for the algorithms: for example, you can choose between 15ips and 30ips tape speeds. Check out the other algorithms at the link below.Available: Mac VST/AU/RTAS, PC: VST/RTAS. More info.11. Massey TapeHead SaturatorAnother straightforward plugin with a wicked sound – one of the best, in fact. Unlimited demo version, but with the upgrade to the full version you get additional features.Available for Mac and PC all formats, and Pro Tools TDM.

Crane Song Phoenix IIAn upgrade from the original Phoenix, this is perhaps “the real tape ops tape emulation plugin”. It has five basic “flavours” with evocative names, ranging from subtle saturation (Luminescent, Iridescent) to gradually more intense (Radiant, Dark Essence and Luster).Available for: Pro Tools only I’m afraid. More info.13. Acustica Nebula3Nebula3 is actually a multi-effect plugin that uses its own N.A.T. Sampler software to emulate literally hundreds of vintage hardware units and their warm analogue characteristics.

It comes with 400 presets, including a crazy 60 pre-amps, 40 equalizers, 15 compressors, 20 tapes, 30 filters, 100 reverbs and 90 time variant effects (chorus, flangers, phasers etc). If you can’t find a saturation setting you like amongst this lot, well, there’s probably no hope for you. Of course all this would be meaningless if the emulations were rubbish: fortunately, Nubela3 delivers with some pretty convincing sound processing. Comes as Free, regular and Pro versions.Available for Windows/PC only. More info.14. Wave Arts Tube SaturatorTouted as “the world’s most accurate real time tube amp plugin”, I respect the fact that Waves Arts haven’t gone for a stripped down, simplified algorithm to save CPU processing power – no, they actually make a point of the fact that the “circuit simulation technology” is extremely processor-intensive, and of course a fast computer is recommended. What all this processing is being dedicated to is in recreating a real tube preamp, and this does it as well as anything out there.

Circuit modelling is probably the future of plugin emulations, so with Tube Saturator you can hear where we’re going quality-wise over the next few years.Available for Mac and Windows. More info.15. SPL TwinTube ProcessorModelled on their own hardware modules, TwinTube provides two big dials: one for adding tube saturation (warmer, louder), the other for specifically adding harmonic content like an exciter/enhancer (presence, clarity, sparkle). Awesome sound and again the interface makes it a breeze to dial up your preferred settings: typical German efficiency:)Available for Mac and PC all formats, plus TDM. More info.16.

McDSP AC101Part of the McDSP Analog Channel, which is quite old now, but is still a staple in a lot of pro studios. There’s a good on another McDSP page of why and how these plugins might benefit your sound, which also applies to many of the plugins featured in this list.Available for Mac only, in Native version (RTAS/AU) and HD version (includes TDM). Conclusion: Fully SaturatedSo there you have it, an (almost) definitive list of plugins that can help you achieve a better, warmer, more expansive Pro Sound.I recommend trying them all, but eventually wittling it down to a smaller selection of your favourite ones for specific tasks. Remember, – you don’t want plugin overwhelm getting in the way of actually making music.I really hope this article is useful for you – it took me a long, long time to research and put it all together, so please leave a comment if you’ve got this far!Also, you can find more suggestions on great-sounding, analogue-warm plugins in this post.

I have the wave arts and Alloy2 and their great. The Plug and mix analoger is a unsung hero. It sounds exactly like the waves tape plugin without waves trippy tape delay sounds. When you want just nice tube or tape saturation the Analoger sounds great. Radiator i tried recently and if it didn’t take up so much cpu i would go with it. I’m going to have agree with most here and say Saturn is the best.

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Most wide use functionality and best sound quality with only 1% cpu usage on a dual core mac.Sure beats Wave arts 49% cpu. Wavearts seems the best tube saturation emulator “most accurate” eats 25% of my cpu at 96Khzin your review missed Voxengo pluginsmellowmuse software, izotope ozone, aipl, etc anyway. The wavearts sounds very similar to a real 12ax7 tube saturator, at low levels, under. Tape plugins are another story, and give a very different effect, i have Yamaha Vintage Open Deck because it emulates an Ampex ATR100, i like the sound of that machine, there are others Digidesign Reel Tape, Avid Heat, UAD, but most emulate Studer, and i dont like Studer Tape machine sound, and yes, yamaha vintage open deck has 4 studer emulations, and 2 tapes formulas with 2 speeds, 30 & 15 ips, some times i wish it also had 7.5 & 3.75ips, just for fun.cakewalk fx2 tape machine emulation tis also nice.